On June 15th 2014, Jason Isbell reunited onstage with former Drive By Truckers bandmates Patterson Hood and Mike Cooley for a special round-style night in Muscle Shoals Music. The setlist includes acoustic versions of Isbell-era Truckers gems including “Heathens,” “Decoration Day” and “Zip City” as well as post-Isbell Truckers tracks like “Space City” and solo Isbell faves such as “Cover Me Up.” The set opens and closes with a pair of classic Hood-sung numbers, 2004′s “Tornadoes” and 2001′s “Let There Be Rock.”
Iconic band CROWDED HOUSE led by Neil Finn returns with new music after almost 10 years
The Album features “WHATEVER YOU WANT” as the first single and video from the upcoming album scheduled to be released June,4 2021. • Global tour confirmed in support of the album. • Previous hits include “DON’T DREAM IT’S OVER”, “WEATHER WITH YOU”, “BETTER BE HOME SOON”, ”FALL AT YOUR FEET” & more. • Sold over 12 MILLION records globally and over 1 BILLION streams worldwide • CROWDED HOUSE features NEIL FINN, NICK SEYMOUR, MITCHELL FROOM, LIAM FINN & ELROY FINN.
On Crystal Clear color vinyl. Changephobia is the 2nd full-length solo record from Grammy Award-winning songwriter, producer, and composer Rostam Batmanglij. An adventurous new direction for Rostam, the songs collected on Changephobia are deeply personal, yet universal for anyone who has ever experienced doubt. In addition to being a founding member of the seminal New York Indie Rock Band, Vampire Weekend, Rostam has been described as "one of the great pop and indie-rock producers of his generation." Rostam has produced & co-written critically heralded recent albums by Clairo and Haim, as well as singles from Maggie Rogers, Solange, Charli XCX, Frank Ocean, Santigold and others
Poté (Sylvern Mathurin) is St. Lucian-born, London-bred and Paris based, electronic artist, due to release his forthcoming album “A Tenacious Tale Of Her” on Bonobo’s label OUTLIER this summer.
With an impressive, unique sound, his new album is written as a theatrical play, a theme which also leans into the creative direction behind his record. The first single ‘Young Lies’, features musician and singer, songwriter, Damon Albarn of Blur and Gorillaz.
Poté has formally created remixes for the likes of Gorillaz’ ‘Trans’ and Little Dragon’s ‘Hold On’. His previous releases include debut digital album “Spiral, My Love” released in 2018 on Benji B’'s Deviation Music imprint followed by “Waters of Praslin” EP in 2019. This year he put out EP “Rose” in January along with latest single ‘Pearls’ in August on his own label Versicolor.
Playing live, he has supported Bonobo on tour in Europe as well as singer and drummer Georgia for six dates in the UK.
Poté has seen support across many different outlets from Clash album review (8/10), Clash Track of The Day, Mixmag album review (print edition), Mixmag All Points East streamed solo live show from in London, Mixmag The Lab LDN, DJ Mag mix, XLR8R, Dummy single premiere, Beat Culture and more.
Nowhere Generation’s unabashedly outspoken 11 songs explore the tight bonds and the distances we share, the struggles of everyday life, our personal failings and triumphs, as well as how the social and economic decks can be stacked against us. But Nowhere Generation also hints at the reclamation of ourselves, a call to resurrect who we are at our core, who we want to be and what we want to do with our lives, despite the rampant weaponizing of our culture. As lyricist Tim McIlrath wrote on “The Numbers”: …these cold nights are almost unbearable, but purpose keeps us warm.
Nowhere Generation was recorded at The Blasting Room in Fort Collins, Colorado under the tutelage of Jason Livermore, Andrew Berlin, Chris Beeble and long-time producer/engineer Bill Stevenson (Black Flag, The Descendents) who has worked with the band on nearly all of their acclaimed releases since their sophomore effort, 2003’s Revolutions Per Minute, and is often described as Rise Against’s fifth member.
"Listening to the story of Canadian duo cleopatrick is a bit like hearing the plot of the best, most righteously validating coming-of-age film never made. Two friends meet aged four in Hicksville, Nowheretown (real name: Cobourg, Ontario, population 19,000), grow up completely inseparable, form a band and, against numerous obstacles, blossom into a genuine, global underground sensation. There are heroes and villains, highs and lows and, crucially, some of the most poetic plot twists that could seem almost too perfect, were they not completely true.
Take the story of 2017 breakthrough track ‘hometown’ for example. “It’s one of the craziest, most ironic things that’s ever happened,” begins vocalist and guitarist Luke Gruntz. “I was going to college because I was too scared to put all my chips in the band pile, and that’s what ‘hometown’ is about: it’s a song about feeling like we’re doing all this stuff and we’re working so hard and we’re just never going to be heard. It’s literally a song about people probably never hearing our songs. And then by some act of the universe, that song ended up unlocking all the doors for us.”
Today, cleopatrick has logged 77 million streams and counting - all from an increasingly dedicated fanbase who’ve found the duo, completed by drummer Ian Fraser, their own way: no major label, no big budget, just two best pals knuckling down, cementing a unique sonic alchemy and filling a space of honest, empathetic yet undeniably heavy-hitting rock music that they’d been searching for themselves for years. Between multiple sold out tours in Canada, the US and the UK/EU and appearances at Lollapalooza, Austin City Limits and Reading/Leeds, the pair have been crafting BUMMER: a debut album that sees cleopatrick harness all the magic they’ve been brewing over their two-decade friendship and funnel it into a record that aims to reinvigorate the rock landscape from the ground up. Taking the ethos of their New Rock Mafia collective - a group of friends and fellow bands, united in making a more inclusive, equality-driven space in rock music - and imbuing it with the sonic ambition and ferocity of a record designed to be played hard and loud, it’s an album about two friends, who’ve been with each other since the formative first steps that adorn ‘BUMMER’’s heartwarming cover image and made something that’s a testament to the power of sticking to your guns."
Atreyu ushered in a new movement in heavy music. They've broken into the Top 10 in the Billboard 200 more than once; 2 of their albums are certified gold. Yet, 2 decades since the release of their first album, Atreyu is just getting started. Baptize is a definitive work for a new era. Atreyu recorded Baptize w/ producer John Feldmann. Guests include Jacoby Shaddix & Travis Barker. Songs like "Warrior," "Catastrophe," & "Save Us" are massive. Blue LP. Gatefold Jacket.
Brand new album from TOMORROW X TOGETHER, the worldwide K-pop boy band sensation. Follow up to last fall’s hugely successful ‘minisode1 : Blue Hour’. Three unique package versions; WORLD, YOU and BOY. All CD packages contain 88 page Photo Book, Sticker Packs, Lyric Book, Behind Book, Poster, Photocard (random 1 of 5), OS Photocard (random 1 of 5), Postcard (random 1 of 5) and Limited Autographed Photo Ticket (random to only 500 copies worldwide). Package dimensions (in mm) 160 x 230 x 25.
Written and recorded during an extended hiatus from the road, Satsang's extraordinary new album, 'All. Right. Now.,' finds frontman Drew McManus reconnecting with his Montana roots and exploring a whole new palette of sounds and textures, drawing on classic country and modern Americana to forge a joyful, rustic collection all about letting go and living in the moment. McManus produced the album himself, and while the songs here are certainly honest and deeply personal, they're written in a spiritual language that taps into something far more universal, something inherent in the human condition that binds us as brothers and sisters on a shared journey to find ourselves and our place in this world. The performances and arrangements are broad and spacious to match, reflecting the wide-open fields and soaring mountains that surrounded the band during the whirlwind recording process, and the result is a lush, organic collection fueled by acoustic guitars, fiddle, and pedal steel, a warm, inviting record that hints at everything from Uncle Tupelo and The Jayhawks to Gregory Alan Isakov and The Head and the Heart as it meditates on the power-and the pull-of home.
“I've always felt that making records was too influenced by commerce and rock and roll mythology to be some kind of luxury PR-worthy experience, and I would trot into expensive studios with my demos and struggle to recreate what I had been feeling months, even years earlier when the songs were written. And then I became a mother. So growing a little person, and then the pandemic hitting, I leaned into the autonomy I had always been working toward, getting to the place where I could write a song and record it in my home studio right away. So much like the painting on the cover--a melancholic, childlike woman in a bathtub--the album was made in these intimate moments of isolation and calm.”
Rock and Roll Hall of Famer and ZZ Top frontman, Billy F Gibbons wants to take you on a desert trip. Hardware is Billy's third release as a solo artist. He compiled a group of a-listers including Matt Sorum (dr), Austin Hanks (gtr) and headed into the California desert to record in Pioneertown. Hardware features the guitar prowess and vocals that have made Billy a legend but it also shows Billy stretching his music landscape past the place where the road ends.
The album is his first truly solo album: just Thile, his voice, and his mandolin, on new recordings of six original songs and three covers, all of which contextualize and banter with his ideas about spirituality. Recorded in a converted upstate New York church during the pandemic, Laysongs’ centerpiece is the three-part “Salt (in the Wounds) of the Earth,” which was inspired by C.S. Lewis’sThe Screwtape Letters. The album also features a song Thile wrote about Dionysus; a performance of the fourth movement of Béla Bartók’sSonata for Solo Violin; “God Is Alive, Magic Is Afoot” based on Buffy Sainte-Marie’s adaptation of a Leonard Cohen poem; a cover of bluegrass legend Hazel Dickens’ “Won’t You Come and Sing for Me;” and an original instrumental loosely modeled after the Prelude from J.S. Bach’s Partita for Solo Violin in E Major
Limited yellow colored vinyl LP pressing. As Mndsgn's first approach to a traditional studio album, Rare Pleasure weaves itself in many forms as the albums evolving theme, blending root stylings of R&B, soundtrack/theme-music, psychedelia and jazz into a sonically rich score of self-actualization. The title itself, 'Rare Pleasure' is an appreciation of sharing life, inward reflection and the gift of joyful catharsis in the face of inevitable discord. As Mndsgn describes it, "We are beings living this human life that's only going to happen this way once and only once, every moment infused with a magical impermanence, a rarity."
After a fantastic 2020 leading up to the release of their long-awaited 3rd album We Will Always Love You, The Avalanches are set to commemorate the 20th Anniversary of their groundbreaking debut album Since I Left You, with a deluxe edition release featuring new content. 2 CD, original 18 track album + 21 track exclusive mix. Exclusive mix includes 7 unreleased tracks + their own remixes of The Manic Street Preachers, Badly Drawn Boy, Belle & Sebastian + Franz Ferdinand. New album art.
RED FANG return with their highly anticipated new album, Arrows! Their first album in five years, everyone's favorite beer-crushing, zombie-killing, air-guitar-contest-judging metal heroes are back in action, doing what they do best- AND MORE.
With over 5,000 performances spanning four decades, 20 million records sold worldwide, and inducted into the Rock and Roll Hall of Fame, CHEAP TRICK is undoubtedly one of the most influential classic rock groups of the past 50 years. The band was formed in 1974 and while it has evolved throughout the years, CHEAP TRICK has continued to reach mainstream and critical success. Hits such as “I Want You To Want Me,” “Dream Police,” and “Surrender” have cemented the group as one of America’s top rock ‘n’ roll bands of all time.
Five-LP Boxed Set Features His First Four Warner Bros. Albums With Newly Remastered Sound, Plus A Bonus LP Of Rare And Unreleased Session Outtakes
A new boxed set that features Stewart's first four Warner albums on vinyl, plus a bonus LP of rare and unreleased studio outtakes from those albums: Atlantic Crossing (1975), A Night on the Town (1976), Footloose & Fancy Free (1977), and Blondes Have More Fun (1978).
After being out of print for decades, the studio albums look and sound better than ever as they return to vinyl, complete with replica sleeves and newly remastered sound. The albums and the bonus LP are all organized in an iridescent box with Stewart foil-stamped on the cover, his blonde shag haircut glistening in gold, and his leopard-print suit shimmering in silver.
Moby’s eclectic career has cast him in the roles of electronic dance music pioneer, singer and songwriter, producer, activist, and restaurateur, but for his latest venture he presents his music in a whole new light.
Together with Deutsche Grammophon, he is releasing an album of his best known tracks in stunning new arrangements for classical instruments – featuring Moby himself and a stellar lineup of collaborators from across the musical spectrum.
Always a daring and imaginative thinker, Moby’s first classical collaboration happened in October 2018, when he performed a selection of his songs alongside the LA Phil and conductor and friend Gustavo Dudamel. This was the inspiration for the current project, which features not only full orchestral versions but new electronic arrangements, as well as sophisticated smaller-scale acoustic interpretations.
The 14-track album includes classic Moby songs like “Porcelain”, “Why Does My Heart”, and “Extreme Ways” in innovative new versions, featuring eye-catching collaborations including both Jim James (My Morning Jacket) and Víkingur Ólafsson on “Porcelain”; Gregory Porter and Amythyst Kiah on “Natural Blues”; and Kris Kristofferson as well as original vocalist Mark Lanegan on “The Lonely Night”. The album concludes with a cover of David Bowie’s “Heroes”.
Throughout their career, Blackberry Smoke has embodied Georgia’s rich musical legacy, honoring the people, places and sounds of their home state. As the band celebrates their 20th anniversary this year, their reverence for Georgia has only deepened.
On their latest album, You Hear Georgia, the follow-up to 2018’s critically acclaimed Find a Light, Blackberry Smoke is further celebrating these roots with 10 new songs that feel like Georgia, accented by the addition of Grammy-winning producer and fellow Georgia-native, Dave Cobb (Jason Isbell, Brandi Carlile). “Dave and I had spoken for the last few years about making a record,” Starr says. “Finally, it worked out, our schedule and his schedule, and we said, yes—let’s make a record.”
Blackberry Smoke worked quickly, spending just 10 days at Nashville’s famed RCA Studio A, Cobb’s home base since 2016. The band recorded live on the floor, giving You Hear Georgia a crisp, outgoing feel. Like other Blackberry Smoke efforts, this album leans into well-crafted Southern rock driven by jagged guitar riffs and rich instrumentation, as the band layers on rollicking piano (“Live It Down”), funky grooves (“Hey Delilah”), and introspective acoustic sounds (the stripped-down, folk-leaning “Old Enough to Know”).
The title song, “You Hear Georgia” features a narrator who’s underestimated because of outward appearances and misguided stereotypes, which is a theme of Starr’s lyrics this time around, particularly as it relates to the band’s Southern roots. “Lyrically, the song is about the South being misunderstood. It’s obviously a rough and tumble world, and there’s a lot of bad people. But there’s a lot of good people too. It started with the idea of how people might have a preconceived opinion of you because of a thick Southern accent, then expanded into the reality of how some people just seem to have such a hard time getting along, thanks to political or religious views, or simply what part of the country you come from.”
Many of You Hear Georgia’s songs describe characters that are restless and prone to seeking out a change of scenery, in hopes of finding a place where they belong. Against cinematic backdrops with vivid details, it’s easy to empathize with these protagonists as they share pearls of wisdom (“Don’t ever trust a grown man with a nickname”) and exhibit deep self-awareness (“Anywhere’s better than staying here, with the ghosts running thru his mind”) along the way.
You Hear Georgia reinforces that the band members have come so far together because they also can rely on one another for support and creative direction, no matter what the circumstances.
Celebrated roots rock band Dispatch release their anticipated 8th studio album Break Our Fall out May 28 on Bomber Records/AWAL Recordings. Marking the band's eighth studio release, the songs on this record speak not only to Chadwick Stokes' and Brad Corrigan's personal evolution, but to human nature itself, charting a course from denial and resistance to growth and acceptance through deep introspection and empathetic character studies. For Stokes and Corrigan, the only constant these past few years has been change - marriage, birth, death, departure - add to that an exceedingly tense political climate, long-overdue reckonings on racial justice/gender equality and a runaway global pandemic and you've got Break Our Fall, an album that enriches Dispatch's distinguished legacy, on which the depth and breadth of the band's stunning songwriting is displayed in full force.
Throughout their first chapter, Del Amitri mastered the art of timeless, melodically focused pop-rock. Their hits - including ‘Nothing Ever Happens’, ‘Always The Last To Know’ and ‘Roll To Me’ - became international radio staples, propelling a career that accomplished five UK Top 10 albums and 6 million sales. Now Del Amitri are set to return with the release of their seventh studio album and first since 2002, ‘Fatal Mistakes’, on April 30th via Cooking Vinyl.
Nat Turner Rebellion, the Philadelphia soul-music group release their long-awaited debut album, originally signed to local label Philly Groove Records, the group is made up of Joe Jefferson (who sadly passed away in July 2020), Major Harris, Ron Harper, and Bill Spratley - pioneers of the Philly Soul and protest music movements. For their debut track, 'Tribute To A Slave', NTR channeled the revolutionary spirit of the infamous 1831 uprising, after which the group derived their name. Starting in 1969, NTR wrote and recorded dozens of tracks with only a handful of singles released. Tensions with then-Philly Groove Records label head Stan Watson sidelined the project and the tapes went unheard for decades. Then, in 2012 when Reservoir Media acquired Philly Groove Records, they discovered the tapes in Sigma Sound Studios archive. Jefferson, lone-surviving NTR member, gave his blessing for the 14-track collection, Laugh To Keep From Crying, which made it's only US debut last year with a limited vinyl-only run via Vinyl Me Please. The themes they wrote about are still as relevant today as they were in 1969. Chrysalis Records are now proud to partner with Reservoir Media to do a full Worldwide release of the album, with a bonus track, new artwork and sleeve notes. There will also be a debut CD of the album. The vinyl has been newly mastered and cut by Alchemy in London. The packaging is a standard 3" spine sleeve with a 12" insert and the vinyl housed in a poly-lined sleeve.
8CD Book set with bonus 12 inch single. United Souls, in conjunction with Sony Legacy Recordings, is delighted to celebrate the 50th anniversary of Philadelphia International Records with the eagerly anticipated release of Get On Board The Soul Train - The Sound Of Philadelphia International Records Volume 1. This is the first volume in a limited edition series which covers the first eight studio albums released by the label from 1971-1973. The series, in which all album are re-mastered from the original tapes, will map the history of Philadelphia International Records chronologically. Housed in a stylish 48 page slipcased book, the edition is strictly limited to 2500 copies. It also includes a numbered certificate of authenticity, an exclusive 12" single and a unique poster. The detailed 48 page hard cover book, including rare photographs was compiled and curated in association with PIR artists, engineers and producers, with liner notes by Tony Cummings (Author of The Sound of Philadelphia) and a foreword by Ralph Tee. The eight classic albums included in Volume 1 comprise: Billy Paul - Going East/Harold Melvin & The Blue Notes - I Miss You/The O'Jays - Back Stabbers/Billy Paul - 360 Degrees of Billy Paul/Dick Jensen - Dick Jensen/The Intruders - Save the Children/MFSB - MFSB/Billy Paul - Ebony Woman. Exclusive 12"- The O'Jays - Back Stabbers / MFSB - Back Stabbers
In celebration of Pride Month, Nonesuch Records releases k.d. lang’s makeover, a new collection of classic dance remixes of some of her best-loved songs on May 28, 2021. The album brings these remixes, made between 1992 and 2000, together for the first time, and includes “Sexuality,” “Miss Chatelaine,” “Theme from the Valley of the Dolls,” “Summerfling,” and the #1 dance chart hits “Lifted By Love” and “If I Were You.” makeover’s cover art features a previously unseen 1995 portrait of lang by David LaChapelle. The album is available on transparent turquoise vinyl.
Vinyl LP pressing. 2021 release. Recorded with an all-star band and featuring special guests like Jessi Colter, Buddy Miller, Rodney Crowell, and Lukas Nelson, Shannon McNally's extraordinary collection, The Waylon Sessions, isn't so much a tribute to Waylon Jennings as it is a recontextualization: a nuanced, feminine rendering of a catalog long considered a bastion of hetero-masculinity. That's not to say McNally has a softer, gentler take on the songs of Jennings and his outlaw compatriots here; in fact, just the opposite. Over and over again, she manages to locate a smoldering intensity - a searing hurt buried deep within the music's deceptively simple poetry - and she hones in on it with a surgical precision. McNally doesn't swap pronouns or couch her delivery with a wink; she simply plays it straight, singing her truth as a divorced single mother in her 40's in all it's beauty, pain, and power. The result is that rare covers record that furthers our understanding of the originals, an album of classics that challenges our perceptions and assumptions about just what made them classics in the first place.
Vinyl LP pressing. Following the release of their acclaimed 2019 debut The Omnitone Collection, indie electronic trio Elder Island's new ten-track album Swimming Static sees the band meld genres with effortless precision. Flitting between the surreal dream-state of electronica and the storytelling-esque lyricisms of indie, the new record tempers introspection with a coveted taste of feel-good pop, offering dashes of neo-soul at the core. Speaking about the upcoming album which was recorded over the past year in their home studio, Elder Island explain: "Swimming Static is an album born of freeform musical expression, shaped by overcoming challenges and fortified by the severity of focus bestowed upon it. The album explores our disposition towards nostalgia and reflection. The fallibility and changeability of history, myth and memory. Within the tracks we learnt to apprehend and appreciate the turmoils of the present by looking elsewhere but all the time striving to pledge ourselves to the moment."
Live In Moscow is LP's first-ever live album, recorded at Crocus City Hall in Moscow in 2019 in front of a colossal sold-out crowd of over 6000 fans. Presented across a pair of vinyl LP's, the 17-track performance spans multiple albums, featuring the mega-hits "Lost On You" and "Girls Go Wild" along with two collaborative medleys including covers of Kings of Leon and The Rolling Stones. "This show is such a beautiful example of the passion, love, and affection I share with my Russian audience," said LP. "I'm so happy everyone can now hear this special night! Spasibo!"
Smash cyberpunk Perturbator crashed onto the scene with an insane force. A perfect rehash and improvement upon 1970s and 1980s analog synthesized film scores - recounting Escape from New York, Halloween, and Blade Runner - Perturbator became known as the face of dark synthwave. The Parisian artist's cult early releases were whispered about in all the right circles before catapulting into the limelight with the release of his breakthrough album "Dangerous Days" in 2014. Forever restless with the confines of genre, Perturbator's sound continued to evolve with the follow-up landmark releases of "The Uncanny Valley"  and the surprise "New Model" EP .
As a conductor, curator and arranger, Robert Ames has been a key exchange agent between the classical tradition and contemporary music. co-Founding the London Contemporary Orchestra fresh out of the Royal Academy of Music, Robert went on to work like; conducting Jonny Greenwood’s Oscar Nominated score for the film Phantom Thread, strings for Frank Ocean’s Blonde, arranging and conducting shows for Little Simz and Sigur Rós frontman Jónsi, as well as a longstanding relationship with composer Actress, producing and writing on on his 2020 album Karma & Desire. He’s also had collaborations with Thom Yorke, Jamie XX, Olafur Arnalds, Owen Pallet, Labrinth and Radiohead.
It’s with this deep apprehension and wide practice that Robert turned his focus to writing his debut record; a breathtaking, seemingly infinitely generative stream of sonic consciousness, made for a meditative mental gaze. Robert’s unique use of 20th c. electronic techniques and Western tradition annotation saw him slow down recordings, annotate the slow-motion versions, then re-recorded them. This way he formed layers of audio and written music, a geological contouring of the soundscape. This addition of manual information evolution counter-intuitively found a royal road to the unconscious.
The record has features from LCO Lead Violinist and One Little Independent signed composer Galya Bisengalieva as well as the Steam Down affiliated harpist and composer Nala Sinephro. At a time when worldly activity is minimal, Change Ringing is a sublime inner flight, an impossible object, in flux and focus at the same moment.
Limited 180gm red colored vinyl LP pressing. Produced by Brian Setzer and Dave Darling, Rockabilly Riot! Volume One: A Tribute To Sun Records was initially released in 2005 and focused on the legendary Memphis, Tennessee label which produced some of the greatest and most iconic music of the 1950s. The 23-track album is a-rockin' non-stop ride that will thrill both Setzer and rock 'n' roll fans alike; it's a reminder of some of the greatest music of the era and highlights Setzer's exceptional ability to put his own stamp on these classics. The album focuses on songs produced and recorded between 1954 and 1957 and pays homage to some of the biggest names of the era including Carl Perkins, Johnny Cash, Jerry Lee Lewis, and Elvis Presley, as well as shining a light on the likes of Kenny Parchman ("Tennessee Zip," "Get It Off Your Mind"), Carl Mann ("Mona Lisa") and Ray Harris ("Lonely Wolf"). For Tommy Blake's "Flatfoot Sam," Setzer called in The Jordanaires on backing vocals, who also appear on covers of Ernie Barton ("Stairway to Nowhere,") and Charlie Rich ("Lonely Weekends"). Setzer also brought in Jumpin' Gene Simmons to help finish off "Peroxide Blonde In A Hopped-Up Model Ford."
The fifth studio album by the British band World Party was originally released in 2000 and now on double vinyl (180g) for the first time ever. Having sometimes thought this record wasn't quite "finished", Karl Wallinger has added 6 songs from the sessions for this 2 LP gatefold release.
Limited white colored vinyl LP pressing. Texas make a very welcome return with their exhilarating tenth album Hi, flexing their rock soul muscle with twelve tracks that easily rank amongst the best of their stellar career. Scotland's finest, Texas is a band in their prime, fueled by the swagger of the title track collaboration with the Wu-Tang Clan. It finds a soulful Sharleen Spiteri nestled next to boisterous raps from RZA and Ghostface Killah over a cinematic backdrop of lush beats and acoustic guitar.
When Smoke Rises is the debut solo musical release from Toronto-based, poet, activist and songwriter Mustafa. Written in the past 18 months after losing several friends to gun violence, the project is a cross-genre celebration of his friends and narrative vignettes from his community, Regent Park. Mustafa describes his work as 'inner city folk music'.
Celebrate the 50th Anniversary of one of music’s most historic record labels, Philadelphia International Records, with this LP release! The groundbreaking label, founded in 1971 by innovative and prolific songwriters/producers Kenneth Gamble and Leon Huff, became the birthplace, incubator and launching pad for the sophisticated Philly Soul sound also known as “The Sound of Philadelphia.” This compilation contains some of the most beloved and iconic songs from the label, from artists like The O’Jays, Harold Melvin & The Blue Notes, Teddy Pendergrass, Patti Labelle, MFSB, The Three Degrees and more!
King Gizzard & The Lizard Wizard return with ‘L.W.’, their seventeenth studio album and the third volume in the band’s explorations into microtonal tunings. A companion piece to its 2020 predecessor, ‘K.G.’, as well as a stand-alone work of art in its own right, L.W. displays a collision of musical worlds. After a decade of frenzied productivity and a recent inability to tour, the band was able to “reset [their] brains” and embark upon a search for “the notes between the notes”. Out via KGLW. Indie Exclusive Silver Vinyl Anvil Edition.
The self-titled debut album by Working Men’s Club + bonus 7” flexi with new single “X”. US exclusive.
Here to bust out of Doledrum, clad in a t-shirt that screams "SOCIALISM" and armed with drum machine, synth, pedal and icy stare are Working Men's Club. Named after the wood paneled, community-run venues 18-year-old band leader and singer Sydney Minsky-Sargeant used to sneak into under age. It was at home in the town of Todmorden in West Yorkshire, feeling hemmed in, that Syd first began assembling these ten songs. "There's not much going on, not much stuff to do as a teenager," he says. "It's quite isolated. And it can get quite depressing being in a town where in the winter it gets light at nine in the morning and dark at four." Their eponymous debut is equal parts Calder Valley restlessness and raw Sheffield steel, as it was across the Pennines that Working Men's Club's hard edged electronic sound was forged under the watchful ear of producer Ross Orton (The Fall, M.I.A., Arctic Monkeys). Guitars locking horns with floor-filling beats, synths masquerading as drums and Minsky- Sargeant's scratchy, electrifying bedroom demos brought to their full potential by Orton's blade-sharp yet sensitive production.
Sharpen your blades and prepare for war with fast-rising USA black metal export STORMRULER! The St. Louis-based two-man project – featuring the dark lyrical genius and deft skill of guitarist/vocalist Jason Asberry and drummer Jesse Schobel – combines unrelenting black metal atmosphere and vision from varying metal genres with a brutal, modernized twist of inspiration culled from war, high-fantasy and history. STORMRULER's blistering debut album, Under The Burning Eclipse, does just that and more, and sees a 2021 re-release via Napalm Records. Featuring 19 tracks alternating with ominous instrumental ambience and incendiary black metal riffage and fury, the album tells harrowing tales of war, death, victory and defeat, and delivers an unmatched, hellscaped auditory experience. Creeping in like menacing sonic smoke, instrumental ambient intro track “Shine Of Ivory Horns” launches directly into opener “Reign Of The Winged Duke”. Instantly careened into a cascade of blastbeats and infernal riffage, searing vocals top the track as it tells the tale of an immortal magical beast searching for divine power! Under The Burning Eclipse evenly ebbs and flows between warning mystical atmosphere and ghastly action, evident on the likes of blackened headbobbers “Age Of Steel & Blood”, “Dawn Of The Eternal Fire” and unrelenting 8+ minute title epic “Under The Burning Eclipse”. Standout burner “Of Hollowed Souls & Distant Flame” looks to the north with archaic screams and memorable, colossal progressions, while combat-ready tracks like “At The Cliffs Of Azure City” incorporate ruminations of classic heavy metal combined with scorched, war-torn percussion. The album traverses desolate musical peaks and valleys before closing with the otherworldly brutality of “Fear The Old Blood” – a non-stop onslaught of black metal attack – and ambient, acoustically-driven finisher of olde“Fields Of Mortal Shame”. Under The Burning Eclipse is a solid hour of fantasy-laden, grim fables transfixed in blackened scourge. Fans of extreme metal will not want to miss this debut offering from the mighty STORMRULER!
2021 release. Written and largely produced by Tyler Joseph in isolation over the course of the past year at his home studio, with Josh Dun engineering the album's drums from across the country, Scaled And Icy is the product of long-distance virtual sessions and finds the duo processing their upended routines along with the prevailing emotions of 2020 - anxiety, loneliness, boredom, and doubt. The duo had to forgo their normal studio sessions but reached a new of level of introspection in the process, adopting a more imaginative and bold approach to their songwriting. The result is a collection of songs that push forward through setbacks and focus on the possibilities worth remembering.
In the midst of a global pandemic, John Hiatt walked into Historic RCA Studio B and opened up a lifetime full of leftover feelings. A half-century ago, Hiatt lived in a ratty, $15-a-week room on Nashville’s 16th Avenue, less than a mile away from the RCA and Columbia studios that were the heartbeat of what had come to be known as “Music Row.” In the ensuing 50 years, he went from a scuffling young buck to a celebrated grand master of song.
With Leftover Feelings, Hiatt teamed up with multi-grammy winning artist and producer, Jerry Douglas and his band, The Jerry Douglas Band. There’s no drummer, yet these grooves are deep and true. And while the up-tempo songs are, as ever, filled with delightful internal rhyme and sly aggression, the Jerry Douglas Band’s empathetic musicianship nudges Hiatt to performances that are startlingly vulnerable.
In life, leftover feelings can remain unresolved, no matter how often explored. Explicated in a place of history, a place of comfort. A sacred place, if you believe the documentation of human expression to be a holy thing. Here then, with this album, there is a meeting of bruised and triumphant American giants. Here are Hiatt and Douglas, creating the meant-to-be: Love songs and road songs, sly songs and hurt songs. Their songs, and now our songs. Leftover feelings that edify and sustain.
THE ICONIC GARY NUMAN is set to release his brand new album Intruder on May 21st. Intruder is Numan’s 18th solo studio album and follows 2017’s Savage: Songs From A Broken World, which became his highest charting set in almost forty years when it debuted at #2 on the Official Albums Chart. That commercial success was complemented with wide-reaching critical acclaim from Mojo, The Quietus, Rolling Stone and more. Whereas Savage depicted earth as a barren wasteland in which humanity and culture had been largely crushed by the effects of global warming, Intruder presents a fresh but complementary narrative. It’s a philosophical examination of a potential future apocalypse: the planet can only survive by purging its inhabitants. Numan explains: “‘Intruder’ looks at climate change from the planet’s point of view. If Earth could speak, and feel things the way we do, what would it say? How would it feel? The songs, for the most part, attempt to be that voice, or at least try to express what I believe the earth must feel at the moment. The planet sees us as its children now grown into callous selfishness, with a total disregard for it’s well being. It feels betrayed, hurt and ravaged. Disillusioned and heartbroken it is now fighting back. Essentially, it considers human kind to be a virus attacking the planet. Climate change is the undeniable sign of the Earth saying enough is enough, and finally doing what it needs to do to get rid of us, and explaining why it feels it has to do it.”
With over a million albums already sold, Nashville-based, Oregon-born singer songwriter and producer Mat Kearney returns with his new album January Flower. January Flower sees Kearney in his rawest form, distilling the songwriting process and rediscovering the joy of making music. Physical available May 21st, 2021 via Tomorrow Music/Caroline.
The album from Nashville's finest evolves from years of experimental compositions written by bandleader Kurt Wagner on the piano (a first for the lauded song-writer). It's described by the artist as almost a post-modern twist on the American Songbook/ballad genre. Think of it almost like the cosmic cousin to the likes of early Randy Newman, Tom Waits, Gershwin, etc.
This also marks the first-time use of a new back-up group that includes James McNew (Yo La Tengo), Ryan Olson (Gayngs), Andrew Broder, techno producer Twit One, Eric Slick (Dr. Dog) and others. This switch-up revisits the original Lambchop motto that “anyone could be part of lambchop (so long as they behaved themselves)". This one was recorded at Battle Tapes in Nashville with Jeremy Ferguson & album art was once again created by Elise Tyler.
Vinyl LP pressing. This is Gruff's seventh solo album. Seeking New Gods was recorded following a US tour with his band and mixed in LA with superstar producer Mario C (Beastie Boys). The album concept was originally driven to be the biography of a mountain, Mount Paektu (an East Asian active volcano). However, as Gruff's writing began to reflect on the inhuman timescale of a peak's existence and the intimate features that bring it to mythological life, both the songs and the mountain became more and more personal.
Fly Pan Am have composed some of their most direct, visceral and immediately satisfying music for the acclaimed modern dance piece FRONTERA by Montréal-based troupe Animals Of Distinction. Juxtaposing stern foreboding electronics and minimalist motorik avant-rock, the Frontera studio album superbly captures the bristling, sculpted, intensely evocative instrumental pieces that Fly Pan Am developed in close conception and collaboration with the dancers. The Frontera recordings track faithfully to the narrative of the original work, where eight movements (featuring a company of 10 dancers) flow from controlled chaos and tensely choreographed kinetics to slow, wrenchingly austere set pieces. This also music stands powerfully and exceptionally well on its own, resonating with the themes of the devastating dance piece. Oscillating between tension and release, evoking anxious interzones and claustrophobic spaces, borders and surveillance, resistance and separation, solidarity and cooperation, bodies blocked and restrained, monitored and pursued, hiding and escaping, yearning and overcoming – Frontera conveys an overarching landscape of forbidding and foreclosure, of determined and desperate movement, and the unfathomable multiplicities of trauma and resilience that occur under dehumanising international apparatuses of inadmissibility and control. Deluxe 180gram vinyl includes artworked inner and 6-panel fold-out insert featuring photographic stills from the original dance production.
It's been over 15 years since Greg Cartwright uprooted to Asheville NC, but this new Memphis-made record shows the songwriter in top form and wholly inspired by his birthplace. And it's not only the terrain that's familiar: For this new LP, Cartwright also reunited with Reigning Sound's original "Memphis lineup" of Jeremy Scott (bass), Greg Roberson (drums), and Alex Greene (keyboards), all of whom played on the band's earliest recordings. The new songs explore fresh lyrical and musical territories but at times also tastefully echo back to Reigning Sound's Break Up, Break Down and Time Bomb High School. That's not by chance-it's just what happens when these musicians get in the same room. Their sonic chemistry hasn't faded a bit.
Vinyl LP pressing. Since breaking out in 2018, Chai have been associated with explosive joy. At their live shows, the Japanese four-piece have become known for buoyant displays of eclectic and clever songwriting, impressive musicianship, matching outfits, delightful choreography, and sheer relief. At the core of their music, Chai have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Wink is a fitting title then: a subtle but bold gesture. A wink is an unselfconscious act of conviction, or as Chai puts it: "A person who winks is a person with a pure heart, who lives with flexibility, who does what they want. A person who winks is a person who is free." Yuuki noted that "With this album, we're winking at you. We're living freely and we hope that when you listen, you can wink and live freely, too." Chai came to see the album-with it's home-y feel-as a collection where each song is like a new friend, something comforting to rely on and reach out to, as the album was for them throughout 2020.
The Devil Wears Prada can always be counted on to challenge themselves - and the world around them with their music. The band -Mike Hranica [vocals], Jeremy DePoyster [vocals, guitar], Mason Nagy [bass], Kyle Sipress [guitar], Jonathan Gering [keys, synthesizers], and Giuseppe Capolupo [drums] - refuse to be hemmed in by boundaries.
Hella Love, the Hardly Art debut from Marinero, is an album about closing a chapter. It's Jess Sylvester's grand farewell, and love letter to his hometown and the place he grew up, The San Francisco Bay Area, before relocating to Los Angeles after finishing his debut release. Using the moniker Marinero (which means "sailor" in Spanish), Jess Sylvester was drawn to this name as a means to honor his parent's stories - his father, a sailor, and mother, a Mexican-American who grew up in San Francisco. This record blends many worlds from beginning to end, and as you go deeper it hits harder. It's his goodbye to The Bay. Pulling sonic influences from classic Latin American groups and international composers from the 60's & 70's: Los Terricolas, Ennio Morricone, Esquivel, Carole King and, Serge Gainsbourg Hella Love finds Sylvester fusing classical arrangements with a variety of different genres, evoking a sonic nostalgia blended with other contemporary artists like Chicano Batman, Connan Mockasin, and Chris Cohen. The album was written, played, and produced by Jess Sylvester with help from Bay Area engineer Jason Kick (Mild High Club's Skiptracing) at Tunnel Vision and Santo Recording in Oakland, California.
A sought-after collaborator, Travis Linville’s instrumental session and touring work includes credits with artists ranging from fellow Oklahomans Samantha Crain and John Moreland to longtime collaborator Hayes Carll and indie rock stalwart Berwanger (feat. members of the Anniversary). In recent years, he’s performed his own music as hand-selected support for Carll and Moreland, as well as Parker Millsap, Todd Snider’s Hard Working Americans, and even country legend Marty Stuart.
Per Wiberg expands his evolving vision of music “reminiscent of the distant beauty of Steven Wilson, Nine Inch Nails and sometimes of simply nothing that existed before him.” – Classic Rock Magazine. His potent concoction of captivating, catchy, expansive music comes across like Young Gods gone prog, avant-garde in the vein of Alice Coltrane/Sun Ra to unfolding atmosphere of late-era Sonic Youth and fuzzing riffs of King Crimson/Hawkwind. Indie Exclusive on standard black vinyl.
To mark the 50th anniversary of the release of RAM, the album will be pressed from a master cut at half speed using the original master tapes at Abbey Road.
The only album credited to both Paul and Linda McCartney, RAM reached Number 1 in the UK and stayed in the US Top 10 for five months. Recording after he’d left The Beatles and before the formation of Wings, Paul initially flew with Linda to New York to record the songs they’d written but arrived without a band. As Paul recalls, “We were thinking of forming a group at that time, Wings. We went to New York, found a really grotty little basement somewhere and auditioned a bunch of people. We got someone to throw a lot of drummers at us, out of which we picked Denny Seiwell who’s one of the best, and his personality fitted. Then we went in, worked with him, Hugh McCracken, Dave Spinozza, a couple of New York session men, and did RAM.” To avoid arousing too much interest, the auditions were held under the guise of a session for a commercial jingle. As well as Paul’s lead vocals there are harmonies from Linda. “I gave her a hard time, I must say, but we were pleased with the results. Elton John later said somewhere that he thought it was the best harmonies he’d heard in a long while. It was very much the two of us against the world at that point.”
BAFTA award-winning Matt Berry has stared in number of high-profile televison series, including FX's mockumentary What We Do In The Shadows. He has released 7 solo albums and collaborate with the likes of Bond composer David Arnold, Jean-Michel Jarre and Josh Homme. Recorded during the summer of 2020, Blue Elephant is a psych masterpiece and arguably his best album to date. With the exception of Craig Blundel on drums, every instrument is played by Matt including, guitars, bass and a variety of keyboards and synthesizers. The album explores themes surrounding today’s close scrutiny in all its bewildering, objectifying and unnerving experiences, and is a testament to Matt’s exceptional musicianship, production skills and songwriting prowess.
The forthcoming album from The Steel Woods, All of Your Stones, took on a new dimension back in January when the band’s founding guitarist and principal creative force, Jason “Rowdy” Cope, passed away peacefully in his sleep at age 42.
The new album is the third offering from one of the fastest rising bands in the worlds of independent country and Southern rock. Since releasing their debut Straw In The Wind album in 2017, The Steel Woods have staked their claim as worthy successors of Southern rock icons Lynyrd Skynyrd, with a dynamic live show and a songwriting verve that draws inspiration from country icons like Willie Nelson and Waylon Jennings.
When The Steel Woods entered the studio to record All Of Your Stones, smack in the middle of a global pandemic, it’s clear they had something to prove, if only to themselves. Cope had wrestled with undiagnosed PTSD and its multitude of symptoms after the release of sophomore album Old News. Wes Bayliss, the band’s singer and co-songwriter, wasn’t always sure what the future held for the group, which is rounded out by Johnny Stanton (bass) and Isaac Senty (drums).
Reflecting on Rowdy’s vision and passion for the band, Stanley says the last thing Jason would have wanted was for the music to stop. Bayliss concurs. “We were always going to do the things you do when you put out a record. Now, there is simply a little more reason.” Indeed there is more reason.
With the release of All Of Your Stones, The Steel Woods now have the responsibility to keep the fire burning. After all, it’s what Rowdy would want.
Riley Downing (The Deslondes) sat down one day and decided he wanted to record a song or two for a simple 45. The Deslondeshad been on a hiatus for a while and Downing had the creative itch to put something down on record. He had been in contact with his bandmate, John James Tourville and they decided to work on a split 7” with a friend.
The recording session felt like a breath of fresh air and the communion of talented musicians produced more songs than expected. Downing left the session energized and continued to record and trade demo’s with Tourville. Downing and Tourville decided that there were enough ideas to make an album. There were not going to be any rules and nothing would be discarded. All notes and lyrics would be considered.
Start It Overis the result of that creative effort. An album where each song was crafted with a different idea in mind. Some of the songs are more nostalgic than others and some were just written for good ol fashion fun. There is a romantic quality in each song. One song might help someone get through a hard time while one song might contribute to a good time. One song might bring up memories of a better time or just get you far enough down the road to start over.
David Gray will release his twelfth studio album, Skellig, via Laugh a Minute Records / AWAL Recordings on May 14. The second LP to be produced by Ben de Vries, the thirteen-track album departs from the shimmering electronics of 2019’s Gold In A Brass Age and embarks on a sparser, communal soundscape with the atmospheric songs centring themselves around six-part vocals with Gray trading his signature gravel for a softer tone.
Alan Jackson's brand new studio album, Where Have You Gone, is his first country release in over 5 years. He's one of the best-selling music artists of all time with over 75M records sold worldwide. Alan is a member of the Grand Ole Opry & has topped the Billboard Country charts with 35 #1 Singles & 15 #1 Albums. He's received multiple awards including 2 Grammys, 16 CMAs, 17 ACMs. CD includes blow-in card for a FREE Download of the Bonus Track "That's The Way Love Goes (A Tribute Merle Haggard)"
12" pink splatter vinyl (special-edition indie variant), custom printed gatefold jacket with boards and 2 open pockets, 28-page printed LP booklet on art paper with custom collage artwork/lyrics, printed sleeve, custom flower fan sticker, custom holographic "I am SLAH" fan sticker, shrinkwrap.
After years dedicated to rowdy, high-energy live shows, providing tour support for Old Crow Medicine Show, Travis Tritt, Sam Bush, and Shooter Jennings---and building their own grassroots cult-following---Strung Like a Horse teamed up with Transoceanic Records and Grammy-winning producer, Matt Ross-Spang (Jason Isbell, John Prine, Margo Price, Calexico/Iron & Wine, Lucero), to record their first studio album, WHOA!, at Nashville's famed Sound Emporium. Most of the tracks the band laid down together in one pass, without overdubs, and were sent direct to tape, making it a “record that captures the vibe of their rightfully celebrated live shows perfectly.”
WHOA! has spent over 16 consecutive weeks in the Top 40 at Americana Radio, while debuting at #2 on the Billboard Bluegrass albums chart, #1 on Amazon New Releases, #2 on the Amazon Alt-Country/Americana chart, #4 on the Alt-Country Specialty chart, #7 on Bluegrass Today’s Grassicana chart, #6 on the Folk chart, and #2 on the Alternative Folk chart. The album also made No Depression’s “Best Roots Music Albums of 2020,” Alternate Root’s “Top 100 Albums for 2020,” and Next’s “Notable Songs in 2020” year-end lists. Their official music videos of the radio hits, "Crazy Like Me" and "Till the Wheels Fall Off," premiered on Ditty TV and CMT Music channel.
Steve Miller has dug deep into his archives and found an unreleased, full-length concert recording. The album captures Miller's legendary 1977 lineup at the beginning of the band's turn from playing ballrooms and theatres to arenas and football stadiums. Recorded at the Capital Centre in Landover, MD on multi-track tape and newly mixed and mastered by Miller and Kent Hertz. Includes original liner notes by music journalist David Fricke and is pressed on 2 Black Vinyl 180G LP's.
Sons of Kemet returns in 2021 with their new album Black To The Future, the follow up to 2018’s Mercury Prize nominated breakout release Your Queen Is A Reptile. This release finds the UK-based quartet at their most dynamic – showcasing harmonically elegant arrangements and compositions, coupled with fierce, driving material that will be familiar to initiated fans. This is their 4th record, and 2ndon impulse! This album features prominent UK vocalists and a strong emphasis on lush compositions and arrangements. Guest artists include Kojey Radical, Moor Mother, Angel Bat Dawid, Joshua Idehen, D Double E and is part of the impulse! records “impulse 60!” 2021 campaign
Broken Mirror: A Selfie Reflection is a timely callout to the power of collaboration, of kindred spirits connecting in crowded rooms. More important, though, is this collision of two profoundly Southern artists, meeting to shed expectations of generation and genre, scene and situation and exchange truth, wisdom, and energy. The real world is more complicated than a pretty digital picture, bowdlerized of blemishes. As Broken Mirror: A Selfie Reflection reminds us, it can be more revelatory and transformative, too.These racks are balls of energized contemplation, Holley crooning grievances and observations above surrealist grooves so irrepressible and heavy that the words strike with the force of gospel. Holley strolls into "I Cried Space Dust" as if he's wandered into the On the Corner sessions and offered unsolicited insights on true transcendence. "I'm Not Tripping" is an anthem of self-worth and self-enjoyment for a society mired in self-doubt, the words breaking like light beams through clouds of atomized drums and synths. And Holley begins the title track as a character mindlessly staring into a cell phone, captivated by his own image like Narcissus at water's edge. Holley ponders the egotism of projection over dizzying keyboards and guitars so jagged they conjure fractured glass. By song's end, he's mocking this infrastructure of pandering for likes, jeering us all above a savage bassline that dares you to differ.Holley and White may seem like unlikely collaborators, divided as they are by decades and disciplines. Holley, 70, first earned attention as a sculptor far removed from the fiefdom of fine art, using society's detritus to create curious bricolages that ferried deep narratives of ancestral pride, enduring pain, and eternal hope. His music-privately stowed on stacks of cassettes before he released his staggering 2012 debut, Just Before Music, at the age of 62-aired those ideas over extemporaneous pieces for prismatic keyboards. But on Big Inner and Fresh Blood, White, now 38, came into acclaim as one of his generation's most meticulous songwriters and arrangers. Stretching his assuredly soulful voice like a smile across little symphonies of strings, horns, choirs, and percussive cavalcades, White commanded sounds where Holley seemed to glide inside them.
Composed by GRAMMY Award-winning band Arcade Fire & their long-time collaborator and bandmate Owen Pallett, the score for Spike Jonze’s critically acclaimed 2013 filmHer has never been released, until now. The film’s lush, piano-driven soundtrack received a nomination for “Best Original Score” at the 2014 Academy Awards and is regarded as one of the best film soundtracks of the past decade. Wistful, delicate and brimming with nostalgic warmth, the Her soundtrack is a stunning sonic companion to a story of modern love.
Set in Los Angeles, in the near future, Her follows Theodore Twombly (Joaquin Phoenix), a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive and unique entity in its own right. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice (Scarlett Johansson) who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other. From the singular perspective of filmmaker Spike Jonze, Her, which won the 2014 Oscar for Best Original Screenplay, is an original love story that explores the evolving nature—and the risks—of intimacy in the modern world.
This 180-gram white vinyl release comes housed in package including 2-sided printed LP sleeve featuring a new liner note from Win Butler of Arcade Fire.
Iconic frontman and instrumentalist MYLES KENNEDY (Alter Bridge, Slash ft. Myles Kennedy & The Conspirators) proves that tumultuous downtime can spark creative genius with The Ides Of March – the long-anticipated full-length follow up to his 2018 solo debut, Year Of The Tiger. The Ides Of March once again showcases the organic side of Kennedy’s musical spectrum and one-of-a-kind voice, but while bright inclusions of lap steel and mandolin have replaced some of the pummeling kick drum and downtuned electric riffage his other renowned projects are known for, each of its offerings maintain the same steadfast energy that never relents. Fluxing between heritage rock outcries featuring Jimmy Page-worthy solos, and stripped-down, bluesy beckonings, the album manifests as an uplifting refresher arriving when society needs it most. Lyrically, the album’s 11 unique offerings embrace all listeners, championing themes of unity and solidarity over separation and spite, allowing the sonic warmth of each track to stand out. Opening stunner “Get Along” proves itself as an anthem for the times, giving listeners a hard-rocking first dose of MYLES KENNEDY’s iconic vocal attack and guitar prowess, ushered along by an addictive hook: “Why can’t we all just get along?” The album rocks and twangs with timeless spine-tinglers like “A Thousand Words” and slide guitar-laden lead single/future classic “In Stride”. Kennedy slows it down with triumphant, smooth vocal knockout “The Ides Of March”, topped with a jazzy guitar solo and poetic lyricism crooning for camaraderie in our darkest times. Raucous blues-rocker “Wake Me When It’s Over” and passionate, ethereal “Love Rain Down” astound, while earworm lead-ignited “Tell It Like It Is” and swaying sing-a-long standout “Moonshot” successfully mark Kennedy’s “dual-citizenship” in the realms of rock and country inspiration. Acoustics, mandolin and slide guitar pepper the soft benevolence of “Wanderlust Begins” and classic rock-inspired wakeup call “Sifting Through The Fire”, before bluesy success “Worried Mind” provides the listener with one last slab of verification that MYLES KENNEDY is an undeniable talent for the ages. The Ides Of March doubles down on the charging roots rock vibes of its predecessor while exuding an aura of tenderness and inner peace – radiating the sorely needed, uplifting spirit of Americana rock.
Celebrating 60 years of Impulse Records. A Deluxe 4-LP Box Set with tracks by John Coltrane, Quincy Jones, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other legendary Impulse Artists. This release includes liner notes by Greg Tate and A.B. Spellman. The LP box is housed in a high-quality archival portfolio cast with a museum drop front, includes a magazine style booklet featuring original impulse! ads and artist photos, as well as an impulse! vinyl slip mat.
Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist.
The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time.
“...A collection celebrating Impulse’s deep-digging support of artists who scored We The People’s SingFight-ing for social political and artists’ self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations.”
- Musician/Essayist Greg Tate
“In many ways, this collection is a mural in sound of the activist’s stimulation of the Sixties and Seventies…we need this scope of sound again: We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls.”
Three news covers from Rodrigo Y Gabriela, following the Mettal EP (which took on Megadeth, Metallica and Slayer) the Jazz EP takes on Kamasi Washington, Snarky Puppy and Astor Piazolla. Limited Edition 12" EP. Pressed on Orange Smoke vinyl.
One of the original releases on Impulse! when the label debuted in 1961, the album emphasizes Ray Charles as a jazz instrumentalist. He also switched from his usual electric piano to a Hammond organ, brought in Count Basie's band and used Quincy Jones' hard-blowing arrangements. The success of the album and its single "One Mint Julep" helped put Impulse! on the map. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180g vinyl in deluxe gatefold packaging.
Eminem is back with "Music To Be Murdered By - Side B" Deluxe Edition. Features 16 new tracks (13 tracks + 3 skits). Executive produced by Eminem and Dr. Dre, the deluxe album features Skylar Grey, DJ Premier, Ty Dolla $ign, Dr. Dre, Sly Pyper, MAJ and White Gold. Opaque Grey 4LP available August 13th.
Harry Hudson is no stranger to defying expectations with his maturity, unwavering self-assurance and a refined worldliness most don't achieve until far later in life. At 20, the budding artist was diagnosed with Stage 3 Hodgkin's lymphoma, just as he was finding his footing. Immediately undergoing chemotherapy with the support of loved ones, he defeated the illness. New album Hey, I'm Here For You digs deeper into his psyche than ever before, according to Hudson. Blue & White Marbled 2LP.
FUTURE PAST is the highly anticipated 15th studio album from Duran Duran and boasts esteemed producers Erol Alkan, Giorgio Moroder and Mark Ronson behind the board. It features special guests Graham Coxon of Blur on guitar, Mike Garson from David Bowie's band on piano, and guest vocals from Lykke Li, with more exciting collaborations to be announced soon
THE ARTIST THE THE is, and always has been, Matt Johnson. Founded in 1979, the band has been a guarantor for unique, prescient, fevered songs that resonate with basic truths about the human condition and seem to exist beyond the perishable dictates of fashion and style. Getting worldwide attention with the most critically acclaimed album of the year, 1983ʼs synth-noir classic “Soul Mining”, THE THE finally made their global breakthrough in 1986 with their album “Infected” which featured two of the band’s groundbreaking political singles “Sweet Bird Of Truth” and “Heartland. Matt Johnson continues to deliver music that speaks to a patiently waiting audience, music of today and the future, and after focusing on solo projects for over 20 years now finally makes the big step back into the limelight with THE THE. THE PRODUCT After 20 years of absence THE THE celebrated their comeback with a glorious UK and US Tour in 2018, topped by a sold-out performance at the Royal Albert Hall in London, the so called “Comeback Special”. What started as an unforgettable live experience now turns into something even bigger as THE THE announce their new live album and make the whole comeback experience available to fans worldwide. Exclusive bonus material like interviews, radio performances from 2018 as well as an intimate insight in the form of photos and background stories told by Matt Johnson himself make this unique experience complete.