Record Store Day Drops 2020 - Sept 26
A first time vinyl release for this album from Big L.
“8 is Enuff (Demo Version)”, ”Harlem N.Y.C. (feat. Bootsie & Herb McGruff) [Beats 2 Blow Remix]”, “98' Halftime Radio”, “Yours (feat. O.C.)”, “Work Part II (feat. Gang Starr)”, “Tru Master”, “Cluemanati (feat. Herb McGruff)”, “5 Fingers of Death (feat. D.I.T.C.)”, “Let Me Find Out”, “We All Can't Ball (feat. Liz Lucci & Richie Thums)”, “Live in Amsterdam (feat. A.G. & Roc Raida)”
MP3 Album: $7.99 Download
Jalacy J. Hawkins, better known as Screamin' Jay Hawkins, was born on July 18, 1929 in Cleveland, Ohio. As a young man, he played piano, boxed in local championships and learned opera at the Ohio Conservatory of Music. Although initially pursuing opera after returning from serving in World War II, Hawkins eventually sharpened his focus on the darker side of R&B and jazz, using macabre stage props, absolute wildman persona and expert voice imitating the blare and squeal of saxophones. His most notable chart-topper was the boozy, raucous 1956 hit ''I Put A Spell On You,'' which was banned by many radio stations for its suggestive groans and grunts. All things considered, Screamin' Jay Hawkins is considered one of the earliest pioneers of what would become shock rock.
Recorded in 1970, Hawkins' fourth album finds the artist at a point of transition. Although Jay had found commercial success and his sales surpassed one million units, he had grown somewhat weary of his shock/voodoo/bogeyman persona and wanted to be taken more seriously as a singer. Luckily for us, Jay only tones down the yelling and the crooning and the grunting and the groaning marginally. The tracks here are every bit as wild as you would hope and a bit more mature (note: a very little bit).
Because Is In Your Mind, also known as Armpitrubber, is packaged in a wonderfully psychedelic painting by Karl Wirsom of the hugely influential Chicago art collective The Hairy Who.
LIMITED Opaque White/Blue Mixed colored vinyl exclusive to RSD
Packaging: Direct-to-board LP jacket, 180g vinyl
A1. Please Don't Leave Me A2. I Wanta Know A3. I Need You A4. My Marion A5. Bite It A6. Move Me
B1. Good Night My Love B2. Our Love Is Not For 3 B3. Ain't Nobody's Business B4. Take Me Back B5. Trying To Reach My Goal B6. So Long
Celebrating the 50th anniversary of Jimi Hendrix's Band of Gypsys final album, this 7” is the first official U.S. single. With new artwork by Experience Hendrix. Pressed on red and yellow splattered vinyl.
“Message To Love (Live)” / “Changes (Live)”
British guitarist Allan Holdsworth’s 1983 album has only ever been reissued on vinyl as part of a limited edition 12 LP until now. The bonus track on this RSD 2020 release has never been on vinyl before.
SIDE 1: 1. “Three Sheets To The Wind” 2. “Road Games” 3. Water On The Brain”
SIDE 2: 1. “Tokyo Dream” 2. “Was There?” 3. Material Real Bonus Track 4. “Road Games (Alternative Jack Bruce Vocal Version)”
PRESSED ON AQUA BLUE COLORED VINYL PACKAGED WITH A DELUXE OBI-STRIP AND INCLUDES A DOWNLOAD CARD FOR THE FULL ALBUM
As Chuck Mosley (ex Faith No More & Bad Brains) embarked on the Reintroduce Yourself Tour, which saw him play around 160 shows during the last two years of his life, he had an idea about releasing a live collection of songs. Part of the point of the tour was to give Chuck a chance to revisit his past, in Cement, VUA, and even some stuff he wrote way back in the day. This release has a mix of those, along with one brand new song, Blue Heart, which he wrote a few months before passing. Quality recordings are scarce and others were sabotaged by off-time clapping, buzzing old amps, and endless stage banter. While we were never polished, never perfect, nor did we get all the lyrics correct, this record is 100% Chuck Mosley, and we think you'll dig it.
1. Sophie (Live in Manchester) 2. Blue Heart (Live in Knoxville) 3. Come Around (Live in Huntsville) 4. Song #2 (Live in Huntsville)
1. Nameless (Live in Manchester) 2. Tractor (Live in London) 3. Bella Donna (Live in London) 4. Bob Forest (Live in London) 5. C to G (Douglas' unapproved hidden track)
Mannequin Records celebrates 40 years of Nocturnal Emissions with a white vinyl reissue of their first album, Tissue Of Lies, originally released on the band's own Sterile Records label in 1980. Tissue Of Lies shows you Nocturnal Emissions' industrial roots, from noisy collages to classic power noise, reminiscent of early Throbbing Gristle and Cabaret Voltaire, Faust (Tapes period) or Conrad Schitzler's Schwarz.
The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 1970s. Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television. In the early '80s, Nocturnal Emissions hit London with a barrage of seminal funk pioneering the use of sound samplers, multi-cultural collage and electronic noise. They became a shape shifting chameleon lightening the darkness of post-industrial music, combining extremist performance art and video displays with apocalyptic beat music. Nocturnal Emissions have since been credited as a catalyst for a generation or two of sound workers. However, at the height of their success, the Emissions decided to shun the crass commercialism that had developed around them, and to develop their work as a secret alchemy. Nigel Ayers has continued to work with a strong underground of cult support, avoiding music industry fashions, and following his own creative path he concentrated on creating a strong sense of a wilderness identity through sound.
01. “When Were You Last In Control Of Your Dreams And Aspirations?” 02. “You Tempt Me” 03. “Limited Holocaust Engagement” 04. “Down The Sink” 05. “Shrubbish Factory” 06. “Slow Decay” 07. “Faith Invaders” 08. “Backwards Man - Regressive Music”
Vinyl: $16.98 Buy
These live tracks from The Rolling Stones have never been commercially available before. "Rock In A Hard Place" was recorded live in Atlantic City and "Almost Hear You Sign" in Tokyo.
"Rock And A Hard Place"/"Almost Hear You Sigh"
The story of this compilation begins with a decades old myth; the "mystery singer" on a 10" acetate demo played to Elvis by Sam Phillips in June of 1954. Phillips, who was unable to ascertain the name of the singer, asked Elvis to sing the song as a debut record. The young, unknown Elvis was daunted by the performance. After attempting to record the song, Elvis felt he could not do it justice, and went on to record “That's All Right”. The demo's existence became an urban myth. The singer was finally identified as Jimmy Sweeney in early 2017 by writer Chris Kennedy, whose suspicions were confirmed by multiple sources, including Jimmy's daughter Eugenia. Sweeney’s masterpiece will finally be released under his own name on this compilation. In addition to that demo song, “Without You”, the album features some of Sweeney’s best recordings, many of which were never released to the public.
1. “Without You” - Jimmy Sweeney 2. “Deep Blues” - Jimmy Sweeney and the Varieteers 3. “I Pay With Every Breath” - Jimmy Sweeney and the Varieteers 4. “It Wouldn’t Be The Same (Without You) “- The Varieteers 5. “Desire” - Jimmy Sweeney 6. “Danny Boy” - Jimmy Destry 7. “Don’t Come In Here” – Varieteers 8. “Tobacco Road” - Jimmy Sweeney
1. “Gonna Find My Sweetheart “- Jimmy Sweeney 2. “Flippity Flop”- Jimmy Sweeney 3. “Sick, Sick, Sick” - Jim Sweeney 4. “She Wears My Ring” - Jimmy Bell 5. “Where You Lead Me” - Jim Sweeney 6.”Lunch In A Bucket” - Jimmy Bell 7. “Afraid” - Jim Sweeney 8. “What’cha Gonna Do About Me” - Jimmy Bell 9. “Deacon Brown” - Jimmy Sweeney
Founder Marie Daulne's mixed cultural roots--Walloon and Bantu (Belgian and Pygmee)--were the stimulus for her musical creation. After studying with the Bantu and in Europe, she organized Zap Mama as an instrument to meld a synthesis of these previously separate traditions. She instantly stood the vocal world on its head by mixing multiple musical styles, performing them with a group of women who created such rhythmic wonder that everyone sat up and took notice. This, their first release, has many tunes with Pygmee yodel and chant, a 16th century Spanish song, a Cuban song, and elements of Syrian songs. It was the first World Music 'hit' selling over 200,000 copies in the US alone. Available for the first time on vinyl. And on magenta splatter color vinyl too!
1. Mupepe 2. Bottom 3. Brrlak! 4. Abadou 5. Take Me Coco 6. Plekete 7. Mizike 8. Babanzele 9. Din Din 10. I Ne Suhe 11. Guzophela 12. Nabombeli Yo 13. Marie-Josee 14. Ndje Mukanie 15. Son Cubano