Record Store Day Drops 2020 - Sept 26
Celebrating the 50th anniversary of Jimi Hendrix's Band of Gypsys final album, this 7” is the first official U.S. single. With new artwork by Experience Hendrix. Pressed on red and yellow splattered vinyl.
“Message To Love (Live)” / “Changes (Live)”
British guitarist Allan Holdsworth’s 1983 album has only ever been reissued on vinyl as part of a limited edition 12 LP until now. The bonus track on this RSD 2020 release has never been on vinyl before.
SIDE 1: 1. “Three Sheets To The Wind” 2. “Road Games” 3. Water On The Brain”
SIDE 2: 1. “Tokyo Dream” 2. “Was There?” 3. Material Real Bonus Track 4. “Road Games (Alternative Jack Bruce Vocal Version)”
PRESSED ON AQUA BLUE COLORED VINYL PACKAGED WITH A DELUXE OBI-STRIP AND INCLUDES A DOWNLOAD CARD FOR THE FULL ALBUM
As Chuck Mosley (ex Faith No More & Bad Brains) embarked on the Reintroduce Yourself Tour, which saw him play around 160 shows during the last two years of his life, he had an idea about releasing a live collection of songs. Part of the point of the tour was to give Chuck a chance to revisit his past, in Cement, VUA, and even some stuff he wrote way back in the day. This release has a mix of those, along with one brand new song, Blue Heart, which he wrote a few months before passing. Quality recordings are scarce and others were sabotaged by off-time clapping, buzzing old amps, and endless stage banter. While we were never polished, never perfect, nor did we get all the lyrics correct, this record is 100% Chuck Mosley, and we think you'll dig it.
1. Sophie (Live in Manchester) 2. Blue Heart (Live in Knoxville) 3. Come Around (Live in Huntsville) 4. Song #2 (Live in Huntsville)
1. Nameless (Live in Manchester) 2. Tractor (Live in London) 3. Bella Donna (Live in London) 4. Bob Forest (Live in London) 5. C to G (Douglas' unapproved hidden track)
Mannequin Records celebrates 40 years of Nocturnal Emissions with a white vinyl reissue of their first album, Tissue Of Lies, originally released on the band's own Sterile Records label in 1980. Tissue Of Lies shows you Nocturnal Emissions' industrial roots, from noisy collages to classic power noise, reminiscent of early Throbbing Gristle and Cabaret Voltaire, Faust (Tapes period) or Conrad Schitzler's Schwarz.
The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 1970s. Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television. In the early '80s, Nocturnal Emissions hit London with a barrage of seminal funk pioneering the use of sound samplers, multi-cultural collage and electronic noise. They became a shape shifting chameleon lightening the darkness of post-industrial music, combining extremist performance art and video displays with apocalyptic beat music. Nocturnal Emissions have since been credited as a catalyst for a generation or two of sound workers. However, at the height of their success, the Emissions decided to shun the crass commercialism that had developed around them, and to develop their work as a secret alchemy. Nigel Ayers has continued to work with a strong underground of cult support, avoiding music industry fashions, and following his own creative path he concentrated on creating a strong sense of a wilderness identity through sound.
01. “When Were You Last In Control Of Your Dreams And Aspirations?” 02. “You Tempt Me” 03. “Limited Holocaust Engagement” 04. “Down The Sink” 05. “Shrubbish Factory” 06. “Slow Decay” 07. “Faith Invaders” 08. “Backwards Man - Regressive Music”
Vinyl: $16.98 Buy
These live tracks from The Rolling Stones have never been commercially available before. "Rock In A Hard Place" was recorded live in Atlantic City and "Almost Hear You Sign" in Tokyo.
"Rock And A Hard Place"/"Almost Hear You Sigh"
The story of this compilation begins with a decades old myth; the "mystery singer" on a 10" acetate demo played to Elvis by Sam Phillips in June of 1954. Phillips, who was unable to ascertain the name of the singer, asked Elvis to sing the song as a debut record. The young, unknown Elvis was daunted by the performance. After attempting to record the song, Elvis felt he could not do it justice, and went on to record “That's All Right”. The demo's existence became an urban myth. The singer was finally identified as Jimmy Sweeney in early 2017 by writer Chris Kennedy, whose suspicions were confirmed by multiple sources, including Jimmy's daughter Eugenia. Sweeney’s masterpiece will finally be released under his own name on this compilation. In addition to that demo song, “Without You”, the album features some of Sweeney’s best recordings, many of which were never released to the public.
1. “Without You” - Jimmy Sweeney 2. “Deep Blues” - Jimmy Sweeney and the Varieteers 3. “I Pay With Every Breath” - Jimmy Sweeney and the Varieteers 4. “It Wouldn’t Be The Same (Without You) “- The Varieteers 5. “Desire” - Jimmy Sweeney 6. “Danny Boy” - Jimmy Destry 7. “Don’t Come In Here” – Varieteers 8. “Tobacco Road” - Jimmy Sweeney
1. “Gonna Find My Sweetheart “- Jimmy Sweeney 2. “Flippity Flop”- Jimmy Sweeney 3. “Sick, Sick, Sick” - Jim Sweeney 4. “She Wears My Ring” - Jimmy Bell 5. “Where You Lead Me” - Jim Sweeney 6.”Lunch In A Bucket” - Jimmy Bell 7. “Afraid” - Jim Sweeney 8. “What’cha Gonna Do About Me” - Jimmy Bell 9. “Deacon Brown” - Jimmy Sweeney
Mike Watt, legendary bassist behind Minutemen, fIREHOSE, Dos, and so much more, is the latest to release a cover of a Squeeze song for Record Store Day. Mike teams up with his Secondmen for a cover of 'In Quintessence,' the opening track from Squeeze's 1981 album East Side Story. This is the fifth installment from the Swindles series and was produced and engineered by Squeeze-aficionado Steve Mandel. This is the first time Mike's version of "In Quintessence" has ever been released and will be available as a 45 single, with the vocal version on the A-side and the instrumental version on the B-side, for Record Store Day 2020.
SIDE A: In Quintessence SIDE B: In Quintessence (Instrumental)
Founder Marie Daulne's mixed cultural roots--Walloon and Bantu (Belgian and Pygmee)--were the stimulus for her musical creation. After studying with the Bantu and in Europe, she organized Zap Mama as an instrument to meld a synthesis of these previously separate traditions. She instantly stood the vocal world on its head by mixing multiple musical styles, performing them with a group of women who created such rhythmic wonder that everyone sat up and took notice. This, their first release, has many tunes with Pygmee yodel and chant, a 16th century Spanish song, a Cuban song, and elements of Syrian songs. It was the first World Music 'hit' selling over 200,000 copies in the US alone. Available for the first time on vinyl. And on magenta splatter color vinyl too!
1. Mupepe 2. Bottom 3. Brrlak! 4. Abadou 5. Take Me Coco 6. Plekete 7. Mizike 8. Babanzele 9. Din Din 10. I Ne Suhe 11. Guzophela 12. Nabombeli Yo 13. Marie-Josee 14. Ndje Mukanie 15. Son Cubano