A1 Midnight from the Inside Out 4:20, A2 Lickin’ 3:42, A3 Come On 2:58
B1 No Use Lying 4:56, B2 Losing My Mind 4:26, B3 Ozone Mama 4:00, B4 Greasy Grass River 3:20
C1 Soul Singing 3:53, C2 Miracle To Me 4:42, C3 Young Man, Old Man 4:13
D1 Cosmic Friend 5:22, D2 Cypress Tree 3:40, D3 Lay It All On Me 5:29

Classic, pioneering 1989 acid house track with new remixes by Serge Santiago, Mall Grab, Rebuke and Nathan Micay. The original featured Gary Haisman on vocals and reached #3 on the UK Singles Chart and #1 on the Billboard Dance Chart in 1989. It was originally banned by the BBC and is a key part of the legacy of UK dance music. A truly legendary and genre-defining track.

A1. We Call It Acieed (feat. Gary Haisman) (12” Version Remastered) A2. We Call It Acieed (feat. Gary Haisman) (Rebuke Remix) A3. We Call It Acieed (feat. Gary Haisman) (Mallgrab Remix)

B1. We Call It Acieed (feat. Gary Haisman) (Nathan Micay’s Limp Wrist Society Remix) B2. We Call It Acieed (feat. Gary Haisman) (Serge Santiago Remix)

Look into the third eye adorned on Get Off My Case's album cover for a window into the dead end of Houston's '60s through the psyche of four longhairs fresh from high school. Conceived in the arid, bone dry air of a Phoenix recording studio and subsequently shelved, Get Off My Case offers a precursory glimpse at early hard-rocking Texans, Josefus. Four tracks from this first session were later re-tracked for their cult-followed LP Dead Man (1970), but the remaining three songs serve as a capsule to their later realized potential. Get Off My Case exists in the temporal intersection where waning vestiges of hippie optimism meet the terror of emerging reality underlined by the gore of Altamont and Manson. Hints of psychedelic leftovers remain under the enveloping shroud of swampy crunch coaxed out by the sex and scrap of British blues influences. Comes with eight-page booklet. Limited edition one-time only pressing licensed from Numero Group.

01. “Crazy Man” 02. “Country Boy” 03. “Get Off My Case” 04. “A Social Song” 05. “Feelin' Good” 06. “Situation” 07. “Dead Man”

This limited edition 12” single for Record Store Day 2020 is inspired by the original, extremely limited, white label release issued in 1994 and features remixes by the Chemical Brothers and Ashley Beedle. 

SIDE A: 1. “La Tristesse Durera (Scream to a Sigh) (Chemical Brothers Vocal Remix)” 2. “La Tristesse Durera (Scream to a Sigh) (Chemical Brothers Dub Remix)”
SIDE B: 1. “Roses In The Hospital (Ashley Beadle's OG Psychovocal Remix)” 2. “Roses In The Hospital (Ashley Beadle's OG Psychomental Remix)”

Wewantsounds announces the special reissue of one of Ennio Morricone's most striking soundtracks, composed for Henri Verneuils's 1975 film, Peur Sur La Ville (Fear Over The City). This special edition includes the original score released in 1975 plus a second album’s worth of bonuses which have never been released on vinyl, including two tracks making their official debut after 45 years.

Ennio Morricone's association with French director Henri Verneuil comes close to the one the Maestro had with Sergio Leone. This fruitful collaboration spawned many classics including The Sicilian Clan (1969), Le Casse (1971), Le Serpent (1973), and I Comme Icare (1979). Peur Sur La Ville from 1975 is probably the peak of their collaboration and is undoubtedly one of Morricone's best scores. The thriller featuring Jean Paul Belmondo was a huge blockbuster hit in France and Morricone's soundtrack became equally famous. It features all of Morricone's trademarks: a catchy theme with haunting piano chords, Alessandro Alessandroni's whistle, dissonant strings, melodramatic melodies, and catchy sexy groovy tracks. But as the French film failed to become an international hit, its score didn't get the exposure it deserved becoming cult only to the circle of Morricone fans. John Zorn did feature the "Peur Sur La Ville Theme" on his cult 1984 homage to the Maestro, The Big Gundown (making it to second position in the track list) but the soundtrack never had the trajectory of those made for Sergio Leone.

A wealth of bonus tracks was unearthed in the '90s, but this is the first time they make it to vinyl. The Wewantsounds team have completely re-sequenced the whole track list in a more chronological way and added two fascinating completely unissued tracks including a superb alternative version of the theme "Minaccia Telefonata". For this special edition, the label asked Californian musician and soundtrack expert AM to team up with his good Paris friend, Air's JB Dunckel to discuss the Peur Sur La Ville film and music, and their common admiration for the Maestro's music. This edition comes in a gatefold sleeve superbly designed by American illustrator Eric Adrian Lee, making good use of the film photos.

A1. Peur Sur La Ville A2. Considération Sur Un Homicide A3. Avvertire La Polizia* A4. Dolcemente Ambigua* A5. Suspense* A6. Un Sursaut* A7. La Tension Monte* A8. Jukebox Psychédélique* A9. Peur Sur Paris*

B1. Défense De Stationner B2. Minaccia Telefonata N.1* B3. Sur Les Toits De Paris B4. Mannequins B5. Essere Preso Dal Panico* B6. Une Bouffée De Radio B7. Paris Secret B8. La Scorta* B9. Le Tellier E Helene* LP2

C1. Paranoïaquement Vôtre C2. Reconsidération** C3. Minaccia Telefonata N.2* C4. Otages C5. Notturno Primo* C6. Assassinio*

D1. À L'angle D'une Rue De La Périphérie* D2. Minaccia Telefonata N.3** D3. Tractations* D4. Notturno Secondo* D5. Peur Sur La Ville (Final) D6. Dénouement*

* Previously unreleased on vinyl.
**Previously unreleased.

Newly enhanced, remastered vinyl edition of the long-deleted, much sought-after Pale Fountains compilation originally released in 1998. Longshot For Your Love, covering the band's early years from 1982 to 1984, Longshot For Your Love is a collection of rarities, radio sessions, and previously unreleased tracks by Liverpool's second best band ever, fronted by Michael Head ("Our greatest living songwriter" --NME). Seven cuts are released here for the first time ever including the superb John Peel and Old Grey Whistle Test BBC Sessions ('82/'83). The album comes with enhanced artwork, in a beautiful gatefold cover with inner sleeve featuring lots of unseen band photos and extensive liner notes by former Pale Fountains manager Patrick Moore. Limited to 900 copies worldwide. 

A1. “Just A Girl” A2. “(There's Always) Something On My Mind” A3. “Lavinia's Dream” A4. “Longshot For Your Love” A5. “Thank You” A6. “The Norfolk Broads” A7. “Benoit's Christmas”

B1. “Hey There Fred” B2. “Palm Of My Hand” B3. “Free” B4. “We Have All The Time In The World” B5. “Just A Girl” B6. “Love Situation”

To celebrate Record Store Day 2020 Pink Floyd release a live recording of the band’s first single, original singer and songwriter Syd Barrett’s best-known song, “Arnold Layne”.  The limited-edition, one-sided Record Store Day 7” represents the last live performance of the song by Pink Floyd with David Gilmour, Nick Mason and Richard Wright, all together in 2007. This special performance of “Arnold Layne” took place at the Syd Barrett Tribute Concert at The Barbican on 10 May 2007, with Pink Floyd members augmented by Jon Carin on keyboards and vocals, and Andy Bell from Oasis on bass guitar. After a star-studded line-up throughout the evening, Pink Floyd took to the stage for an incredibly emotional finale.  The B-side features an etching that echoes the sleeve and the song’s lyrics.

A: “Arnold Layne (recorded live at the Barbican Centre, London at the Syd Barrett Tribute Concert, 10th May 2007)”
B: Exclusive new etching

GRAMMY-nominated, versatile musician, Anoushka Shankar, hardly needs an introduction. Daughter of legendary sitarist Ravi Shankar, she is a singular, genre-defying figure within the classical and contemporary, acoustic, electronic and world music scenes. For Record Store Day 2020, her new EP, Love Letters, will be available on vinyl for the first time.

SIDE A –
1. Bright Eyes (feat. Alev Lenz) 2. Those Words (feat. Shilpa Rao, Ayanna Witter-Johnson) 3. Lovable (feat. Ibeyi)
SIDE B –
1. Space (feat. Alev Lenz) 2. Wallet (feat. Alev Lenz, Nina Harries) 3. In This Mouth (feat. Alev Lenz)

7" single of Cat Stevens’ song “But I Might Die Tonight”, from the album Tea For The Tillerman. The B-side features the alternative version of the song, from the movie Deep End (starring Jane Asher), reworked specifically for the film and previously unavailable until now! Pressed on light blue vinyl.

SIDE A – 1. But I Might Die Tonight (Movie Version)
SIDE B – 1. But I Might Die Tonight (Remastered 2020)

A rare Nils Frahm rework, with brand new custom compositions by Isobel Waller-Bridge & Federico Albanese. This Record Store Day exclusive vinyl includes beautiful contributions from Josin & Sophie Hutchings and, of course, music from MKX mainstays Ólafur Arnalds, Keaton Henson, GRAMMY-nominated Sebastian Plano, Lambert, Anatole, Luke Howard and Guy Sigworth!

SIDE A –
1. For Now I Am Winter [Nils Frahm Rework] - Ólafur Arnalds, 2. Petrichor – Keaton Henson, 3. In The Blank Space (New York Recordings) – Josin, 4. The Lantern – Federico Albanese, 5. Light Ascending [ft. Shards] – Luke Howard, 6. A Small Kind of Revival – Sophie Hutchings
SIDE B –
1. Le lac - Jean-Michel Blais, 2. Porcelain – Lambert, 3. Particles (ft. Nanna Bryndís) - Ólafur Arnalds, 4. Nirai Kanai - Guy Sigsworth, 5. Éxta – Sebastian Plano, 6. No Ritual – Anatole, 7. TBC – Isobel Waller-Bridge.

Celebrating the 50th anniversary of Jimi Hendrix's Band of Gypsys final album, this 7” is the first official U.S. single. With new artwork by Experience Hendrix. Pressed on red and yellow splattered vinyl.

“Message To Love (Live)” / “Changes (Live)”

Mannequin Records celebrates 40 years of Nocturnal Emissions with a white vinyl reissue of their first album, Tissue Of Lies, originally released on the band's own Sterile Records label in 1980. Tissue Of Lies shows you Nocturnal Emissions' industrial roots, from noisy collages to classic power noise, reminiscent of early Throbbing Gristle and Cabaret Voltaire, Faust (Tapes period) or Conrad Schitzler's Schwarz.

The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 1970s. Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television. In the early '80s, Nocturnal Emissions hit London with a barrage of seminal funk pioneering the use of sound samplers, multi-cultural collage and electronic noise. They became a shape shifting chameleon lightening the darkness of post-industrial music, combining extremist performance art and video displays with apocalyptic beat music. Nocturnal Emissions have since been credited as a catalyst for a generation or two of sound workers. However, at the height of their success, the Emissions decided to shun the crass commercialism that had developed around them, and to develop their work as a secret alchemy. Nigel Ayers has continued to work with a strong underground of cult support, avoiding music industry fashions, and following his own creative path he concentrated on creating a strong sense of a wilderness identity through sound.

01. “When Were You Last In Control Of Your Dreams And Aspirations?” 02. “You Tempt Me” 03. “Limited Holocaust Engagement” 04. “Down The Sink” 05. “Shrubbish Factory” 06. “Slow Decay” 07. “Faith Invaders” 08. “Backwards Man - Regressive Music”

These live tracks from The Rolling Stones have never been commercially available before. "Rock In A Hard Place" was recorded live in Atlantic City and "Almost Hear You Sign" in Tokyo. 

"Rock And A Hard Place"/"Almost Hear You Sigh"

Founder Marie Daulne's mixed cultural roots--Walloon and Bantu (Belgian and Pygmee)--were the stimulus for her musical creation. After studying with the Bantu and in Europe, she organized Zap Mama as an instrument to meld a synthesis of these previously separate traditions. She instantly stood the vocal world on its head by mixing multiple musical styles, performing them with a group of women who created such rhythmic wonder that everyone sat up and took notice. This, their first release, has many tunes with Pygmee yodel and chant, a 16th century Spanish song, a Cuban song, and elements of Syrian songs. It was the first World Music 'hit' selling over 200,000 copies in the US alone. Available for the first time on vinyl. And on magenta splatter color vinyl too!

1. Mupepe 2. Bottom 3. Brrlak! 4. Abadou 5. Take Me Coco 6. Plekete 7. Mizike 8. Babanzele 9. Din Din 10. I Ne Suhe 11. Guzophela 12. Nabombeli Yo 13. Marie-Josee 14. Ndje Mukanie 15. Son Cubano

In November of 2011, Richard Swift and Jessie Baylin selected their favorite cover tunes, and recorded them over four days on 4-track cassette which was released digitally on Nov 20, 2011,for one month and then pulled down. Eight years later, Pleasure Center is being commercially released for the first time with one new bonus track. This will be pressed on 45 RPM 12” marbled black and white vinyl and limited to 1000 pieces worldwide. Produced by Richard Swift. Performed by Jessie Baylin + Richard Swift. Recorded at Jessie Baylin's home in Nashville, TN.on four track cassette, November 14-18, 2011 Cover art by Richard Swift. Additional photos by Jessie Baylin & Richard Swift.

Dedicated to the memory of Richard Swift

1. Little Trouble Girl [Sonic Youth] 2. I Couldn’t Say It To Your Face [Arthur Russell] 3. White Noise 4. Storms [Stevie Nicks] 5. A Song For While I’m Away [Thin Lizzy] 6. Black Blood (Acoustic Demo) [Jessie Baylin & Richard Swift]

Following last year’s Humble Pie Official Bootleg Collection Volume 1 double LP comes the Official Bootleg Collection Volume 2, curating rare and previously (officially) unreleased live shows that were illicitly recorded between 1971 and 1981.

Emerging from the remnants of The Small Faces, Humble Pie formed in 1969 when guitarist and vocalist Steve Marriott joined forces with Peter Frampton, drummer Jerry Shirley and bassist Greg Ridley, and began their ascent to conquering the theatres and then arenas of North America, culminating in 1972’s double live Performance: Rockin’ The Filmore album. Frampton left in 1971 for a highly successful solo career, replaced by Colosseum's Clem Clempson, and it was this line-up that was captured in New York in 1971, at one of Clem’s first shows with the Pie. The extemporisations of Performance: Rockin’ The Filmore became the basis for much of Humble Pie's live repertoire for the remainder of the 1970s, but this 1971 New York show does include their unique take on Eddie Cochran's 'C’mon Everybody' and 'I Wonder' from the soon to be released Smokin' LP.

Side Two finds the Pie backed up by the soulful vocals of The Blackberries--Venetta Fields, Clydie King & Billie Barnum==who appear on “Oh La-De-Da”, ‘” Don’t Need No Doctor” and “30 Days In The Hole.”

Humble Pie split in 1975 following their Street Rats LP, but not before Side Three’s Philadelphia show on March 15, 1975, featuring ‘Four Day Creep’ and ‘I Don’t Need No Doctor’.
The Pie would eventually reform for 1980's “On To Victory” comeback record, this time with a line-up featuring Bobby Tench from the Jeff Beck Group on guitar and vocals and bassist Anthony “Sooty” Jones.

Side Four from Privates Club, N.Y.C. on March 25, 1981 features the epic 23 minute take of ‘30 Days in the Hole’ / ‘I Walk on Gilded Splinters’.

Housed in a gatefold sleeve, with plenty of rare memorabilia, the booklet features an essay based on new interviews with Pie drummer Jerry Shirley.

SIDE ONE
ACADEMY OF MUSIC N.Y.C.: DECEMBER 3, 1971
1. FOUR DAY CREEP, 2. C’MON EVERYBODY, 3. THE FIXER, 4. I WONDER
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass

SIDE TWO
MIDNIGHT SPECIAL, LONDON, BIBA WITH THE BLACKBERRIES: NOVEMBER 30, 1973
1. OH LA-DE-DA, 2. I DON’T NEED NO DOCTOR, 3. 30 DAYS IN THE HOLE
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass
The Blackberries:
Venetta Fields / Clydie King / Billie Barnum

SIDE THREE
PHILADELPHIA: MARCH 15, 1975
1. FOUR DAY CREEP, 2. STONE COLD FEVER, 3. C’MON EVERYBODY, 4. I DON’T NEED NO DOCTOR
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass

SIDE FOUR
PRIVATES CLUB, N.Y.C.: MARCH 25, 1981
1. 30 DAYS IN THE HOLE / I WALK ON GILDED SPLINTERS
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Bobby Tench: Guitar & Vocals
Anthony “Sooty” Jones: Bass & Vocals

Maroon 5's hit single "Memories" & the Dillon Francis remix on 7" vinyl. Release Includes photo booklet.

“Memories”/”Memories (Dillon Francis remix)”

"You have taken what I write, play, and sing about to an even higher level of expression. "
-Stevie Wonder

Hugo Montenegro was a prolific composer and orchestra leader, best known for crafting dynamic film and television soundtracks throughout the 1960s and 1970s. In addition to original compositions, the New York native also recorded many unique interpretations of contemporary work by other artists. In 1974, Montenegro released Hugo In Wonder-Land, his take on the catalog of music icon Stevie Wonder. The album is entirely instrumental, offering a brand new perspective on Wonder’s acclaimed originals. Montenegro’s lush arrangements and Moog-heavy electronic elements make for a genre-bending classic that Stevie Wonder himself has championed. After years out of print, Hugo In Wonder-Land is now back on limited-edition vinyl.

“Living For The City”/”Too High”/”Superstition”/”You Are The Sunshine Of My Life”/”My Cherie Amour”/”Higher Ground”/”Don’t You Worry ‘Bout A Thing”/”Shoo-Bee-Doo-Bee-Doo-Da-Day”/”You’ve Got It Bad, Girl”/”All In Love Is Fair”

This copy has a damaged corner on the top right. The jacket still looks good.

This Record Store Day 2020 exclusive features tracks from acclaimed composer Ryuichi Sakamoto (The Revenant, The Last Emperor) heard in "Smithereens" - the second episode of the fifth series of the anthology series Black Mirror. The cover art showcases an original design from Sakamoto’s long-time collaborator, Alva Noto.

“meditation app”, “plot”, “this is my last day”, “hayley”, “prey”, “chain smoking addict”, “chase”, “reverse surface”, “closing in”, “countdown”, “retreat”, :flashback”, :gun is real”, “shot”, “degrade”, “car crash”, :this is my last day 2”, “release”

Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being commercial enough. As a result, the band left Polydor, signed with Virgin, and released this album's tracks in a completely re-recorded version for their official second album, the self-titled Slapp Happy from 1974. Far from being simply an "alternate version" of that album, Acnalbasac Noom is a completely different beast from Slapp Happy. Simultaneously low-key and high-brow, the versions found here are damaged art-pop par excellence; the combination of Slapp Happy and Faust create a sound that defies era, sounding at times like anything from the artsier side of their contemporaries in the British folk-rock movement to damaged '90s indie-pop, the more accessible end of Yoko Ono's 1970s to an alternative universe Lynchian cabaret-lounge act. It's not often that an unreleased or "lost" album marks the pinnacle of a group's career, but with Acnalbasac Noom there's a strong argument to be made. Limited edition of 1,000 copies on translucent green vinyl.

01. “Casablanca Moon” 02. “Me & Paravati” 03. “Mr. Rainbow” 04. “Michelangelo” 05. “The Drum” 06. “A Little Something” 07. “The Secret” 08. “Dawn” 09. “Half-Way There” 10. “Charlie 'N Charlie” 11. “Slow Moons Rose”

This RSD 2020-exclusive EP features music created for the 2020 horror/mystery film The Turning, directed bu Floria Sigsmondi. Only one song here (from The Aubreys, a band featuring Finn Wolfhard, who also stars in the film) is on the official soundtrack, and this EP features inspired tracks from Courtney Love, Empress Of, and a never-before-released song collaboration from David Bowie and Kristeen Young.

Kristeen Young (feat. David Bowie) "American Landfill", Courtney Love "Mother (Acoustic)”, SASAMI and Lawrence Rothman "Take It To The Grave", Dani Miller (of Surfbort) "Fentanyl Smoothie", Empress Of "Call Me (Acoustic)” , The Aubreys "Getting Better (Otherwise)”, Warpaint "Melting"